My coverage of the Craig McKay event for MovieMaker Magazine

American Cinema Editors (ACE) and Manhattan Edit Workshop had the inspired idea to create a series called Short Cuts in order to “get that EditFest feeling all year long.” The intention in both cases was the same: To create a deeper understanding of the editor’s invisible art by having master film editors discuss and screen their work for film students, editors and enthusiasts. But instead of having panels of editors for an entire weekend, Short Cuts would focus on one esteemed editor and take place in one evening.

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